Depending on one's sexual orientation and taste, 2000 photographs of a woman's (or are they many many women's - we're never sure) vagina can be quite daunting. Even in arty black & white these tightly cropped close ups of twisting hairy female form made my feminine companion squirm and blush. I pity the unisexual gay male that may have strayed in the galerie A l'Enseigne des Oudin by chance as he did the gallery rounds. The late surrealist panache which permitted and sanctioned the creation of this body of work between 1969-1972 seems very foreign and exciting to our puritanical standards, again depending on one's taste or political agenda. I was astonished they could be exhibited at all and applaud the galleries for their courage. Even a "man loving" lesbian friend seemed quite offended - perhaps because I told her in advance the pictures had been taken by a male, or perhaps by the fact that these photographs were not particularly lovely visions. They were a chore to consume. I was informed the photographs on view had been edited down from 6000 which make up the complete series, too many to mount.
Perhaps a bit more palatable was a later group from the artist's oeuvre at
Galerie Mantoux-Gignac. There under the theme "Aspects Erotiques de la periode
socio-critique 1972-1974" one encountered more female vaginas but now
kaleidoscoped and psychedelicized. They formed odd looking bird like creatures
and funny fluted troughs. Their socio-critical nature eluded me, but I found
myself wanting to get a particularly saucy one and take it home, which I did.
-Joseph Nechvatal
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Joseph, comment ca va a Paris? J'aime les reviews. Envoyez plus...
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pour voire
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I thing the work oh Maccheroni should not be reduced to this single exposition you're talking about. to get a wider idea of the deepness of his paintings, maybe you should pay a visit to the Galerie Mantoux Gignac, rue des archives in Paris. I am sure you will be nicely surprised. Email me back your opinion on the subject.