Sparse, trendy artworld crowd, enclosed by large
portrait photography on the walls. In the middle of
the room oversized portfolios that had to be handled by
two or more people if one wanted to review them. Martin
Guttman, with a grin stamped on his face, made the
best of it by helping Andrea Rosen inspect portfolios
in an intimate tete-a-tete at the dead center of the
gallery. Andrea enjoyed the spotlight and had come attired
to enjoy it: high heel open sandals, obnoxious mini skirt
and techno-kid Adidas top on which her grey tressess
cascaded. Not being so outfitted, I had a hard time co-
opting the help of art world aquaintances into inspecting
portfolios with me.
Jacky McAllister, Ann Chu and Anwroy turn me down as they
busily ran around or perhaps just ran away. Meanwhile, a
flim was shown: a series of short sequences of individuals
putting their hands over a lit candle, as close as they
could until they had reached the threshold of pain. The
film was stating the obvious: pain is subjective. But, no
one on screen displayed any sense of humour--only macho
faces that did not look at the camera. If I had been asked
to do this gesture--I would have put my hand a full yard
above the candle and smiled at the camera, for this type
of gesture I would have ended up on the cutting room floor.
The artworld crowd did not seem to care about any of it
and seemed oblivious to the humid heat of the gallery. They
were bored, I was bored, they stayed, I left.
SANTE SCARDILLO
Email: ThingReviews
that's just sweltering. but, do they have any square yards of arizona left to sell? perhaps one with a large YUCCA in the center?